Greybeard's Chord Construction - Modes
The following tables demonstrate what happens when you take a particular key (here I have shown A and C) and simply move the major triad (I, iii and V) along, retaining the original intervals.
The triad has its root at the new position in the sequence (next degree) and the remainder by moving two degrees along the original sequence to create the iii and a further two degrees to create the V.
No matter what key you start in, there is always the same sequence of maj, min, min, maj, maj, min, dim.
To try and keep the illustration as simple as possible, I have not shown two octaves, but cycled round to the start of the sequence - e.g. the V of E major in the first table would normally occupy the ninth degree (i.e. the ii of the next octave).
Key
|
Root
|
x
|
ii
|
x
|
iii
|
IV
|
xx
|
V
|
x
|
vi
|
x
|
vii
|
A
|
A
|
A#
|
B
|
C
|
C#
|
D
|
D#
|
E
|
F
|
F#
|
G
|
G#
|
A major |
I
|
x
|
x
|
x
|
iii
|
x
|
x
|
V
|
x
|
x
|
x
|
x
|
B minor |
x
|
x
|
I
|
x
|
x
|
iii
|
x
|
x
|
x
|
V
|
x
|
x
|
C# minor |
x
|
x
|
x
|
x
|
I
|
x
|
x
|
iii
|
x
|
x
|
x
|
V
|
D major |
V
|
x
|
x
|
x
|
x
|
I
|
x
|
x
|
x
|
iii
|
x
|
x
|
E major |
x
|
x
|
V
|
x
|
x
|
x
|
x
|
I
|
x
|
x
|
x
|
iii
|
F# minor
|
iii
|
x
|
x
|
x
|
V
|
x
|
x
|
x
|
x
|
I
|
x
|
x
|
G# diminished |
x
|
x
|
iii
|
x
|
x
|
V
|
x
|
x
|
x
|
x
|
x
|
I
|
Key
|
Root
|
x
|
ii
|
x
|
iii
|
IV
|
xx
|
V
|
x
|
vi
|
x
|
vii
|
C
|
C
|
C#
|
D
|
D#
|
E
|
F
|
F#
|
G
|
G#
|
A
|
A#
|
B
|
C major |
I
|
x
|
x
|
x
|
iii
|
x
|
x
|
V
|
x
|
x
|
x
|
x
|
D minor |
x
|
x
|
I
|
x
|
x
|
iii
|
x
|
x
|
x
|
V
|
x
|
x
|
E minor |
x
|
x
|
x
|
x
|
I
|
x
|
x
|
iii
|
x
|
x
|
x
|
V
|
F major |
V
|
x
|
x
|
x
|
x
|
I
|
x
|
x
|
x
|
iii
|
x
|
x
|
G major |
x
|
x
|
V
|
x
|
x
|
x
|
x
|
I
|
x
|
x
|
x
|
iii
|
A minor
|
iii
|
x
|
x
|
x
|
V
|
x
|
x
|
x
|
x
|
I
|
x
|
x
|
B diminished |
x
|
x
|
iii
|
x
|
x
|
V
|
x
|
x
|
x
|
x
|
x
|
I
|
The interesting thing about this sequence is that, if you fill out the triads
to complete scales, the result is what is known as the MODES of a scale
and each mode has it's own name:
Key |
Root |
x |
ii |
x |
iii |
IV |
xx |
V |
x |
vi |
x |
vii |
I |
x |
ii |
x |
iii |
IV |
xx |
V |
x |
vi |
x |
vii |
|
C |
C |
C# |
D |
D# |
E |
F |
F# |
G |
G# |
A |
A# |
B |
C |
C# |
D |
D# |
E |
F |
F# |
G |
G# |
A |
A# |
B |
Modes |
C major |
I |
x |
ii |
x |
iii |
IV |
x |
V |
x |
vi |
x |
vii |
Ionian | ||||||||||||
D minor |
x |
I |
x |
ii |
iii |
x |
IV |
x |
V |
x |
vi |
vii |
Dorian | ||||||||||||
E minor |
x |
I |
ii |
x |
iii |
x |
IV |
x |
V |
vi |
x |
vii |
Phrygian | ||||||||||||
F major |
I |
x |
ii |
x |
iii |
x |
IV |
V |
x |
vi |
x |
vii |
Lydian | ||||||||||||
G major |
I |
x |
ii |
x |
iii |
IV |
x |
V |
x |
vi |
vii |
Mixolydian | |||||||||||||
A minor |
I |
x |
ii |
iii |
x |
IV |
x |
V |
vi |
x |
vii |
Aeolian | |||||||||||||
B diminished |
I |
ii |
x |
iii |
x |
IV |
V |
x |
vi |
x |
vii |
Locrian |