Greybeard's Mode Construction Chart
Key |
Root |
x |
ii |
x |
iii |
IV |
xx |
V |
x |
vi |
x |
vii |
I |
x |
ii |
x |
iii |
IV |
xx |
V |
x |
vi |
x |
x |
xx |
x |
xx |
x |
x |
xx |
x |
xx |
x |
xx |
x |
x |
xx |
x |
xx |
x |
x |
xx |
x |
xx |
x |
A |
A |
A#/Bb |
B |
C |
C#/Db |
D |
D#/Eb |
E |
F |
F#/Gb |
G |
G#/Ab |
A |
A#/Bb |
B |
C |
C#/Db |
D |
D#/Eb |
E |
F |
F#/Gb |
A#/Bb |
A#/Bb |
B |
C |
C#/Db
|
D |
D#/Eb
|
E |
F |
F#/Gb
|
G |
G#/Ab
|
A |
A#/Bb |
B |
C |
C#/Db
|
D |
D#/Eb
|
E |
F |
F#/Gb
|
G |
B |
B |
C |
C#/Db
|
D |
D#/Eb
|
E |
F |
F#/Gb
|
G |
G#/Ab
|
A |
A#/Bb |
B |
C |
C#/Db
|
D |
D#/Eb
|
E |
F |
F#/Gb
|
G |
G#/Ab
|
C |
C |
C#/Db
|
D |
D#/Eb
|
E |
F |
F#/Gb
|
G |
G#/Ab
|
A |
A#/Bb |
B |
C |
C#/Db
|
D |
D#/Eb
|
E |
F |
F#/Gb
|
G |
G#/Ab
|
A |
C#/Db |
C#/Db
|
D |
D#/Eb
|
E |
F |
F#/Gb
|
G |
G#/Ab
|
A |
A#/Bb |
B |
C |
C#/Db
|
D |
D#/Eb
|
E |
F |
F#/Gb
|
G |
G#/Ab
|
A |
A#/Bb |
D |
D |
D#/Eb
|
E |
F |
F#/Gb
|
G |
G#/Ab
|
A |
A#/Bb |
B |
C |
C#/Db
|
D |
D#/Eb
|
E |
F |
F#/Gb
|
G |
G#/Ab
|
A |
A#/Bb |
B |
D#/Eb |
D#/Eb
|
E |
F |
F#/Gb
|
G |
G#/Ab
|
A |
A#/Bb |
B |
C |
C#/Db
|
D |
D#/Eb
|
E |
F |
F#/Gb
|
G |
G#/Ab
|
A |
A#/Bb |
B |
C |
E |
E |
F |
F#/Gb
|
G |
G#/Ab
|
A |
A#/Bb |
B |
C |
C#/Db
|
D |
D#/Eb
|
E |
F |
F#/Gb
|
G |
G#/Ab
|
A |
A#/Bb |
B |
C |
C#/Db
|
F |
F |
F#/Gb
|
G |
G#/Ab
|
A |
A#/Bb |
B |
C |
C#/Db
|
D |
D#/Eb
|
E |
F |
F#/Gb
|
G |
G#/Ab
|
A |
A#/Bb |
B |
C |
C#/Db
|
D |
F#/Gb |
F#/Gb
|
G |
G#/Ab
|
A |
A#/Bb |
B |
C |
C#/Db
|
D |
D#/Eb
|
E |
F |
F#/Gb
|
G |
G#/Ab
|
A |
A#/Bb |
B |
C |
C#/Db
|
D |
D#/Eb
|
G |
G |
G#/Ab
|
A |
A#/Bb |
B |
C |
C#/Db
|
D |
D#/Eb
|
E |
F |
F#/Gb
|
G |
G#/Ab
|
A |
A#/Bb |
B |
C |
C#/Db
|
D |
D#/Eb
|
E |
G#/Ab |
G#/Ab
|
A |
A#/Bb |
B |
C |
C#/Db
|
D |
D#/Eb
|
E |
F |
F#/Gb
|
G |
G#/Ab
|
A |
A#/Bb |
B |
C |
C#/Db
|
D |
D#/Eb
|
E |
F |
x |
x |
x |
x |
x |
x |
x |
x |
x |
x |
x |
x |
x |
x |
x |
x |
x |
x |
x |
x |
x |
x |
|
x |
Root |
x |
ii |
x |
iii |
IV |
xx |
V |
x |
vi |
x |
vii |
I |
x |
ii |
x |
iii |
IV |
xx |
V |
x |
vi |
Modes |
x |
x |
x |
x |
x |
x |
x |
x |
x |
|||||||||||||
Ionian |
I |
x |
ii |
x |
iii |
IV |
x |
V |
x |
vi |
x |
vii |
I |
x |
x |
|||||||
Dorian |
x |
I |
x |
ii |
iii |
x |
IV |
x |
V |
x |
vi |
vii |
I |
x |
||||||||
Phrygian |
x |
I |
ii |
x |
iii |
x |
IV |
x |
V |
vi |
x |
vii |
I |
|||||||||
Lydian |
I |
x |
ii |
x |
iii |
x |
IV |
V |
x |
vi |
x |
vii |
I |
|||||||||
Mixolydian |
x |
I |
x |
ii |
x |
iii |
IV |
x |
V |
x |
vi |
vii |
I |
x |
x |
|||||||
Aeolian |
x |
I |
x |
ii |
iii |
x |
IV |
x |
V |
vi |
x |
vii |
I |
|||||||||
Locrian |
I |
x |
I |
ii |
x |
iii |
x |
IV |
V |
x |
vi |
x |
vii |
Another way of looking at it is as major and minor keys and the variations on those keys:
Major |
Minor |
||
Ionian | ----- |
Aeolian | ----- |
Lydian | IV # |
Dorian | vi # |
Mixolydian |
vii b |
Phrygian | ii b |
So Dorian is made up of the notes from the Ionian scale and is just a relative minor scale just with a sharpened vi, Lydian is a major scale, with a sharpened IV, etc..
As Locrian is so little used, compared to the rest, and is such an exception to any rule, I've left it out of this table.
© Graham Merry 2004